It’s more than two years into Russia’s war with Ukraine, and Teodor Currentzis’ “continued presence [in Salzburg] is frustrating to many, raising uncomfortable questions about what is acceptable in service of music.” – The New York Times
It’s more than two years into Russia’s war with Ukraine, and Teodor Currentzis’ “continued presence [in Salzburg] is frustrating to many, raising uncomfortable questions about what is acceptable in service of music.” – The New York Times